Alex Roberts is a British artist that lives and works between Berlin and the UK. She works with paint and translucence, addressing paintings’ surface and spatial depth. Testing the sliding scales of how we perceive identity, change, encounters, and human tangibility.
Exploring the relationship between what we see and what we feel, the work invites the viewer to question their own perceptions, while hinting at a narrative, or capturing moments in the lives of others. The candid enquiry often exposes human states and frequently, the paintings’, sensitive installations implicate or stage the viewer as protagonist.
Currently she is exploring the tensions between what is public and what is private: how, in today’s digital world, appearance often contrasts with reality and sociability belies intimacy.
Roberts exhibits internationally, recent inclusions: no format Gallery; The Performativity of Painting, The Stephen Lawrence Gallery, Greenwich University Galleries (2018); Control to Collapse, Blyth Gallery; St. Paul’s
Cathedral; What Hat am I Wearing Today? Paul Abbott and Alex Roberts, MOCA London; Connect: Katowice, Rondo Gallery Katowice, Poland (2017).
Awards, Oppenheim-John Downes Memorial Trust; The Eaton Fund (2017); Arts Council England & British Council Grant - The Artists' International Development Fund; HIX Award finalist; short-listed for The Red Mansion Art Prize (all 2016) and Contemporary Visions VI, Beers London (2015).
Roberts completed her MAFA at Chelsea College of Arts (UAL), following a BA (Hons) in Fine Art from The University of Reading. As a collaborative researcher who curates, and an educator she continues to work at Edge Arts, University of Bath as an Artist Tutor, alongside Drawing Projects UK. New lecturer roles for 2018/19: The Drawing Week Bath School of Art & Design, Bath Spa University and Bauhaus Summer School, Bauhaus-Universität Weimar.