The Performativity of Painting
A choreographed meeting.
16 January – 16 February 2018, The Stephen Lawrence Gallery, University of Greenwich Galleries.
Artists: Tobias Buckel, Liz Elton, David Lock, J.A. Nicholls, Selma Parlour, James Pimperton, Rebecca Molloy, Alex Roberts
Painting – the performance of structures, fragments and use of space within the perceived painted frame, and the relating inherent surround.
In bringing together these artists, through their distinct individual accounts and methodologies, the exhibition, The Performativity of Painting offered the opportunity to consider site-specificity, theatrical tropes, depicted surfaces, staging and the interconnectedness of the artwork’s context (in the works’ content and proximity). In this sense, the exhibition sought to address painting's embodiment of the performative space.
Curator: Alex Roberts
To access the full press release please download here
Documentation of the recent exhibition is available to view via an email accessible PDF.
We would like to thank Dr. Ken Wilder for his insightful text, written specifically to accompany the exhibition. To download a copy of the E-Catalogue please click here
Dr. Ken Wilder is an artist and writer. Having practiced and taught architecture, he now makes site responsive installations and films. Based at Chelsea College of Arts, he is the University of the Arts Reader in Spatial Design. He has published widely on issues of reception aesthetics, including Bloomsbury’s 2016 anthology Painting: Critical and Primary Sources.
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Connect: Katowice, London, 2016-2017. British-Polish exchange, collaboration and display.
Housed, The Cookhouse, Chelsea College of Arts, 2015.
Transient Façades, The Well, London College of Communication, University of Arts London, 2012.
Art & Sausages, 17 Somerton Road; trion contemporary, The Arndean Gallery, Cork Street; 2d Olympia, Olympia London; Model Village, Northdown Street, London; Lot.18, The Candid Gallery; late arrivals @ kings cross, 36-40 York Way, London - Archive.